About
I shoot the in-between.
on film
I chose film because it doesn’t let you fake it. The grain, the warmth, the slight imperfection — that’s where the honesty lives.
I’ve spent nine years learning to disappear at a shoot — to catch the moment a half-second before anyone remembers they’re being photographed.
Every roll is developed and scanned by hand. Nothing is rushed, because the best frames rarely are.
12,400+
frames developed
~30
rolls a year
9
years behind the lens
01
The chat
We talk through the day and what matters to you.
02
The shoot
Relaxed, unhurried, mostly candid.
03
Develop & scan
Hand-developed, hand-scanned, high resolution.
04
The hand-off
An edited gallery within seven days.
Gear & approach
- Medium-format and 35mm bodies, a handful of fast primes.
- Natural light first, always. A reflector if the day insists.
- Hand development, hand scanning, minimal retouching.
- Direction only when you need it — otherwise I stay out of the way.
KINFOLKCEREALANALOGAperturEGRAINTHE FRAMEFILMMAKERS
